After my
Bollywood extravaganza earlier this year, I thought that I might never again watch Asian movies. Horrible acting, sappy plots, incomprehensible social cues, bad music (but good dancing).
But Bollywood's just the
India part of Asia.
The same evaluation does not apply to the only Chinese movie I've seen (besides Crouching Tiger Hidden Dragon and Karate Kid).
Postmen in the Mountains was a rare score for a foreign flick from the library. I know it's cliche, but the best way I can describe the movie is beautiful.
Reading the DVD back, I was fearing a Lethal Weapons-style plot. PITM is about a southern Chinese mountain postman on his last day on the job. One day before his retirement, his son joins him on the 3-day, 80-mile walking journey, a journey he will take over. Minutes from official retirement and a life of pension luxury,, terrorists reveal a plot to introduce roads and trucks in rural areas!
Actually, the only thing that could've been in an 80's actions flick was a scene where the son falls in love with a local girl at a rural postal stop, and they cook gruel while listening to an American rock ballad from the 80's.
Otherwise, the plot of the film is perfect for an unrelenting assault of beautiful imagery from a breathtaking part of the world. Mountains (of course), fields, valleys, streams, and cliffs all play a role. I was surprised to find myself reminded even of the beauty of parts of Lithuania (not the mountain parts).
Anyway, the thing that most made this movie more palatable than a Bollywood movie (aside from it's lack of gaudiness) was being able to relate to the characters' emotions. Son overtaking father. Father remembering youth. Learning/teaching how to express and share emotions. PLUS, the movie features a lovable German shepherd sidekick! How many movies feature lovable German shepherds?
A simple, well-shot movie with o.k. acting, wonderful photography, and a terrific story. Watch, now that I've raved about this movie, I'm gonna find out that somehow it's all just Communist propaganda, and I'll have to hate it.
**UPDATE**Ha ha! Just as I feared -- in researching the links for this piece, I came across this quote from the end of the
NYT review of Postman in the Mountains:
It is an endearing, likable film, though its benign surface may cover some subtle propaganda on behalf of China's centralized government.
The postman, who frequently identifies himself as a state official, becomes highly idealized, always ready to listen and sacrifice himself for the betterment of the masses. The villagers are portrayed as smiling and content, and the region's desperate poverty is played down in favor of lyrical landscape studies.
I wonder what the same reviewer would say of the subtle
propaganda in
Cheers:
The show's iconic postman-in-a-bar character, Cliff Clavin, upholds the petty American "value" of lackadaisical inebriation. Clavin, who constantly refers to his frustration at work, and his use of alcohol to solve those problems, is a subtle attempt on behalf of America's decentralized government to keep its people docile, passive, and decidedly not "postal."
-dr-
Labels: china, communist, movie, post office, postal workers